Set at CREST (the Centre for Research and Education for Social Transformation) in Kozhikode, Kerala – the film documents the ‘soft skills’ training of Dalit and Adivasi post-graduate students in a sensitive and nurturing campus environment as preparation for their employment in the new Indian economy.
As a progressive institution combating caste inequalities, CREST has trained over 1200 students and professionals from marginalized communities in Kerala.
But how politicized or politically aware is the ‘recast self’?
Filmed in February and April 2016 – a few months after Rohith Vemula’s suicide in Hyderabad, the students are initially forced to confront their own identity and a history of discrimination in the context of Vemula’s tragic death.
But matters come to a climax when the CREST students research and select the theme of the semester ending play.
Will they choose to do a play that exposes caste discrimination around Rohit Vemula’s suicide?
Or will they select one that expresses their fears about ‘Bengali’ migration to Kerala? In this choice of play subject and its ensuing debate, lie signs and markers about power, livelihood and identity politics. And the silence around issues of caste in Kerala…
Lalit Vachani is a documentary filmmaker, producer and video editor. He studied at St. Stephen’s College, Delhi University and at the Annenberg School for Communication at the University of Pennsylvania in the US. His documentary work includes The Starmaker (about the business of ‘starmaking’ in the Hindi film industry); The Boy in the Branch and The Men in the Tree (on the RSS and Hindu nationalism); The Play Goes On (about the left street theatre group, Jana Natya Manch); The Salt Stories (following the trail of Mahatma Gandhi’s salt march in Narendra Modi's Gujarat); Tales from Napa (about a village that resisted Hindu fundamentalism during the 2002 Gujarat riots), An Ordinary Election (an in-depth study of an Indian election campaign) and Die letzten Tage (about the last days of a refugee centre in Germany).
Vachani teaches courses on Hindu nationalism, the media and politics, and documentary film theory and production at the Centre for Modern Indian Studies (CeMIS) at the University of Göttingen, Germany.
Direction, Script and Editing: Lalit Vachani
Research and Concept: Sanjay Srivastava
Production and 2nd shoot Direction: Priya Sen
Camera: Syed Husain Akbar
Location Sound: Godly Timo Koshy
Executive Producer: Srirupa Roy
A Wide Eye Film for ICAS: MP
Made with the support of the German Federal Ministry for Education and Research (BMBF) and the Centre for Modern Indian Studies (CeMIS), University of Göttingen.